1829-1912  Related Paintings of william r clark :. | ar 1802 tecknade den engelsks sjomannen matthew flinders denna lummiga och rofyllda scen fran kanguruon soder omadelaide vilken stari stark kontrast t | wilson fangade med stor inlevelse dramatiken och ogastvan ligheten i polarlandskapet i manga av sina skissr ovan ses en isformation pa rossons strand | nansen har sjalv gjort den har teckningen av manringar och skuffmanar under en palarnatt i november 1893 | conways expedition matte upp kartlade flera av de stora glaciarerna runt k2,det nast hosta berget i varlden. | nedan |
Related Artists:
Johann Gottfried Schadow
1764-1850 Berlin, He was a German sculptor. He was born in Berlin, where his father was a poor tailor. Friederike von Preuben.His first teacher was an inferior sculptor, Tassaert, patronized by Frederick the Great; the master offered his daughter in marriage, but the pupil preferred to elope with a girl to Vienna, and the father-in-law not only condoned the offence but furnished money wherewith to visit Italy. Three years' study in Rome formed his style, and in 1788 he returned to Berlin to succeed Tassaert as sculptor to the court and secretary to the Academy. Over half a century he produced upwards of two hundred works, varied in style as in subjects.
Johan Ericson
painted Parken i Marstrand in 1908
Reuben Moulthrop
American portrait, miniature, wax sculptor b.1763-d.1814 American painter. As proprietor of a waxworks museum and travelling waxworks exhibition, he was interested in modelling in wax in his early years. While moving around his native state, he was exposed to several artistic influences, beginning with Winthrop Chandler. His earliest portraits seem to date from about 1788, when he completed Mr and Mrs Samuel Hathaway (1788; New Haven, CT, Colony Hist. Soc. Mus.). Its dark, heavy outlines, its flatness and almost geometric forms derive from Chandler. The quality of Moulthrop's paintings was extremely uneven; many of the best of the surviving body of about 50 works date from around 1800. The Rev. Thomas Robbins which depicts the sitter's direct gaze and contains more detail than the earlier portraits, shows the artist at his most accomplished. In the last years of his brief career he appears to have been influenced by William Jennys and John Durand,